About this so-called art
I drew "Captain America--Lame Artist Smasher!" in 1979, as a high school senior in Springfield, Massachusetts. That headline could easily be interpreted as Cap being lame at artist-smashing, but that wasn't my intent. My teenage confidence enabling me insult creators outside my personal taste solely came from reading How to Draw Comics the Marvel Way and Origins of Marvel Comics. The only artists my gatekeeping friends and I respected were old school (John Buscema, John Romita, Gene Colan, Ross Andru), artsy (Neal Adams, Barry Windsor-Smith), or modern (John Byrne, George Perez). Steve Ditko, Jack Kirby, and Wally Wood were corny to us as the time. None of us even heard of Alex Toth.
Carmine Infantino, Don Heck, Frank Robbins, and Don Perlin did groundbreaking comics in previous decades, but struggled to find work by the late-'70s. Marvel's editor-in-chief Jim Shooter hired them and other Golden Age legends for second- and third-tier books. Crapping on Shooter's old-school kindness seemed like divine duty.
My skinny Captain America is based on how John Buscema drew him in The Avengers #58, 1968 (reprinted in the 1976 Marvel Treasury Edition Giant Superhero Holiday Grab-Bag). Photo reference for Carmine Infantino is from the 1975 Marvel/DC crossover event Superman vs. Spider-Man. I somehow knew Frank Robbins had thick framed glasses, but didn't bother looking for Perlin or Heck.